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      <image:title>Contact</image:title>
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    <loc>https://www.jlmoctezuma.com/inxochitlincuicatl</loc>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.jlmoctezuma.com/place-discipline</loc>
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    <lastmod>2022-06-10</lastmod>
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      <image:title>Place-Discipline</image:title>
      <image:caption>OMNIDAWN // OCTOBER 2018</image:caption>
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    <loc>https://www.jlmoctezuma.com/poems-on-the-tube</loc>
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    <loc>https://www.jlmoctezuma.com/spring-tlaloc-seance</loc>
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    <lastmod>2020-08-07</lastmod>
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      <image:title>Spring Tlaloc Seance</image:title>
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    <loc>https://www.jlmoctezuma.com/essaysandcrit</loc>
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      <image:title>Essays and Criticism</image:title>
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      <image:title>Essays and Criticism - "Zoning in, zoning out"</image:title>
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      <image:title>Essays and Criticism</image:title>
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      <image:title>Essays and Criticism - On Nikki Wallschlaeger's "Crawlspace"</image:title>
      <image:caption>On Nikki Wallschlaeger's "Crawlspace"</image:caption>
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      <image:title>Essays and Criticism - On Poetry as Biopic</image:title>
      <image:caption>On Poetry as Biopic</image:caption>
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      <image:title>Essays and Criticism - On Joseph Gordon MacLeod’s “The Ecliptic”</image:title>
      <image:caption>On Joseph Gordon MacLeod’s “The Ecliptic”</image:caption>
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      <image:title>Essays and Criticism - On Roberto Harrison's Poetry</image:title>
      <image:caption>A Conversation with Edgar Garcia on Roberto Harrison’s Poetry</image:caption>
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      <image:title>Essays and Criticism - On Antonio Gamoneda’s Poetry</image:title>
      <image:caption>On Antonio Gamoneda’s Poetry</image:caption>
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      <image:title>Essays and Criticism - On Leslie Scalapino's Poetry</image:title>
      <image:caption>On Leslie Scalapino’s “How Phenomena Appear to Unfold”</image:caption>
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      <image:title>Essays and Criticism - On David Gascoyne's Surrealism</image:title>
      <image:caption>On David Gascoyne’s Surrealist Mode</image:caption>
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      <image:title>Essays and Criticism - On 21st Century Cinema</image:title>
      <image:caption>On Hoberman, Deleuze, and 21st Century Cinema</image:caption>
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      <image:title>Essays and Criticism - On French Cinema</image:title>
      <image:caption>On Charles Drazin’s “French Cinema”</image:caption>
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      <image:title>Essays and Criticism - On Robert Bresson's "A Man Escaped"</image:title>
      <image:caption>On Robert Bresson's "A Man Escaped"</image:caption>
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      <image:title>Essays and Criticism - On Krasznahorkai, Tarr, and "Satantango"</image:title>
      <image:caption>On Laszlo Krasznahorkai, Bela Tarr, and “Satantango”</image:caption>
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      <image:title>Essays and Criticism - On Pierre Guyotat's "Coma"</image:title>
      <image:caption>On Pierre Guyotat's "Coma"</image:caption>
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  <url>
    <loc>https://www.jlmoctezuma.com/black-box-syndrome</loc>
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    <lastmod>2025-09-29</lastmod>
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      <image:title>Black Box Syndrome - Black Boxes and Chance Operations</image:title>
      <image:caption>Black Box Syndrome is a series of poems (or "black boxes") based on the hexagrams in the I Ching. Following the aleatoric tradition popularized by the surrealists and extended by the work of John Cage and Jackson Maclow, the poems cast their assorted lenses (or coins, or yarrow stalks) at the hazards of the incessant financialization of everyday life. Synthesizing chance-operational aesthetics with Aztec anatomical science, conspiracy theory with systems theory, and the black box model with the concept of the “influencing machine,” Black Box Syndrome articulates the tension between lyric excess and digital compaction that encodes poetic discourse in the age of pandemic. Over and against the corrosive world-shrinking effects of Wall Street risk management and futures trading, the black boxes in this book propose a counter-divination that distorts, deranges, and decolonizes the logic of empire.</image:caption>
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